Along with Keys the four form a production group called The ILLuminaries, and they prove on several occasions how the hivemind approach to beatmaking can pay off. The drum programming comes courtesy of Harold Lilly, while songwriting and production duties fell largely to Mark Batson and Swizz Beatz, who left no traces of his signature sound. To her credit, she flexes some surprising dexterity, moving easily between ballads and more uptempo beats and varying her delivery to occasionally take on a rapper’s cadence, for example on “The Gospel.” She’s probably not about to rebrand herself as a spitter, but the piano melody textured by a stuttering drum pattern works well. It seems unjust that these brief appearances spark more curiosity about the speakers than the songs that refer directly to the artist with top billing, and the rest of the tracks do little to address this balance-at least from a lyrical standpoint. HERE is punctuated with interludes that feature recordings of candid discussions between Keys and her friends including, reportedly, Nas. “Blended Family (What You Do For Love)” rolls along as an earnest-but-slightly-awkward song about the dynamic within her home, before getting completely sabotaged by a throwaway verse from guest A$AP Rocky. “Girl Can’t Be Herself” is surely the anthem for her makeup-free movement and, by her own admission, a tool for working through some of the insecurities that she tackles in the lyrics. “Work on It” is a look just beneath the surface at a relationship that takes, well, work- but the intrigue is lacking, even with production from the usually unflappable Pharrell Williams. There are only three tracks on which you could safely guess that she is giving any insight into her world. Still, this is an Alicia Keys record, and it wouldn’t be wrong to expect her to devote time to herself. It helps to take this into consideration early on, so that it’s not entirely confusing when Keys starts singing from the perspective of a 29-year-old addict on “Illusion of Bliss.” Or on “Kill Your Mama,” where she takes on the role of spokesperson for all of Mother Earth’s wayward children, piling the platitudes onto a simple guitar melody: “Is there any savin’ us/We’ve become so dangerous/Is there any change in us/Even for the sake of love.” Instead, by personifying hip-hop, she is performing the first of several shifts in narrative perspective. So when Keys says “I’m the musical to the project fables/I’m the words scratched out on the record label/I’m the wind when the record spins/I’m the dramatic static before the song begins,” you don’t need to take it literally.
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It was the most listened to song in the US in 2008 and won 2 awards.“The Beginning (Interlude),” HERE’s opener, sets the scene for the album to work as a series of extended metaphors. The song was co-written and co-produced by Alicia Keys’ rapper boyfriend. It was co-written and produced by Keys, Jeff Bhasker and Salaam Remi. One of the most sung The Voice covers ever! The inspiration for the song came from the Hunger Games book while Keys was reading it. The inspiration for the song came when Aaliyah Dana Haughton passed away in a plane accident. The song is about the 9/11 attacks, which brought two Grammys to Keys. It is about deep emotions to a special person.
It was the first single from Keys when she was 20.
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As she studied arts, she knows how to combine good music and classics. The song starts with a piece from Chopin. It also had a lot of good reviews from music authorities. It is a romantic, downtempo pop-R&B song. Drake also accompanies Keys for back-vocals. This R&B song quickly became a popular hit. Keys also performed this song in the 2002 Grammy Awards. The song was also nominated for many awards and won an NAACP Image Award. Keys wrote this soul and R&B ballad about self-esteem, and to be worthy of others ‘kindness. The song won a Grammy and Soul Train Music Award. This R&B, Hip-Hop hit, was co-written and produced by Kanye West. It is such an inspiring song to be a superwoman! The song brought a Grammy to Alicia Keys, and in an interview, Keys mentioned that it is her favorite song. It is about living a love at the deepest and spending every minute like it is the last one. The song won two awards in 2008 just after it was released.
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